The giveaway is now closed. Thank you to everyone!
I will try to make this as un-wordy as possible, and just let the pictures speak for themselves. While my quilt is a mash-up of the Kona color card and Pantone, the original spark of interest for the quilt came from
here.Lynne's fabulous Penquin Book quilt. I became an immediate fan of the quilt, and also of Lynne.
When I came home from spring quilt market with
my charm pack of the new Kona colors, along with a new Kona color card, the wheels in my head started moving.
I had the idea for the quilt, but
how would I obtain a little bit of
every single color? I only needed a little, but buying even a fat quarter would be way too expensive.
That's when I went to
Fat Quarter Shop and ordered every sampler charm pack of Kona. I was sure I would end up with many duplicates. I was thrilled to find out that there were hardly any duplicates at all!
I took them apart, and started separating them by color families. Then I started arranging them in order, using the color card.
I used some Pantone note cards for the dimensions for each block.
And started trimming.
The next step was to print out all the colors names and numbers. I had to buy two 25-sheet packs of June Tailor printer fabric. Wowsers--expensive! Thankfully I had good coupons for each pack. Just let me say that if I hadn't had to run so many sheets through my printer, I would definitely have used Kona white and adhered it to freezer paper, carefully cutting it with my rotary cutter, but I was worried about running so many sheets through the printer and jamming it up. I
do not like the printer fabric. It served its purpose in this quilt, but it feels and sounds crunchy, which I really dislike. However, it went through my printer like a dream so it got good brownie points for that.
The next step was to proofread each color and make sure I hadn't transposed letters or numbers.
Next came matching the the names with the correct colors.
Most of these were pretty easy, but there were at least five times when I had to check and double check in different light before I was pretty sure I had them matched up correctly. Case in point:
You can see the difference here, but it took the really good natural daylight before I realized I had them switched around.
And would you believe it, when it came down to it, there were only two colors I was missing: Ruby and Regatta. I was
sure I had Ruby because I had used it in a previous quilt. I was pretty sure I
didn't have Regatta. I'm not really a "blue" person, but I checked my solids stash, and sure enough, there was Regatta, also used in a previous quilt. Hooray. I think at that point I was sure it was a cosmic decision to make this quilt!
Sewing, sewing, sewing:
The next step was to put each block up on the design wall, duplicating the same order as the color card. There were 243 blocks, but my layout plan of 16 blocks across and 16 blocks down gave me space for 256. That's when I started copying and printing things from the the color card and bordering them in black, including the washing instructions! And that turned out to be a really good plan because with all the color going on, it was a good thing to have a few different places to rest your eyes.
After I made sure, over and over, that all the colors were in the proper order, it was time to start sewing the rows together.
And then, as frequently happens with my quilt tops, things came to a complete standstill while I tried to figure out the whole quilting thing. I knew I didn't want a lot of quilting to show because I wanted all the focus on the fabulous colors. I got advice from a
couple of
people, and then
Deborah taught me how to spray baste a quilt on top of a bed (!). Note: I may actually get more of my quilts completed!
At first I thought just quilting horizontally would do the trick, first just below the words in each block, and then in the ditch between the white band and the color block. But then I realized I wasn't going to be happy until I quilted vertically between each row. The dilemma? While I'm not a fan of quilting in the ditch, I still didn't want the quilting to show. And besides that, there was such a range of color from dark to light that choosing a color of thread, well...I couldn't even go there. So I tried something I had never tried before--monofilament. It turned out to be a great solution. It didn't show on top, but gave a little definition between each row.
I wanted a simple back, but with some pop, so I used the wonky alphabet from K
elby Sews, and pieced a heart with some leftover scraps.
I finished it with Red Pepper Quilt-inspired black and white striped binding. Really--would anything else have worked? I think not.
And with a nod to Pantone and the color of the year, Tangerine Tango, here is my label.
So that's the story of my color card quilt. It was a challenge I gave to myself and I'm thrilled with how it turned out. My sweet and very supportive husband, Mark, turned out to be very protective of this quilt, or at least the idea of it, and forbid me from posting a single process picture until it was completed.
And in my dreams, Robert Kaufman gives me a lifetime supply of Kona solids. Or wants to add this to their corporate quilt collection. But I'm happy to hang it in my hallway and gaze happily at all the beautiful colors.
I hope you enjoyed reading about my little creative journey, or at least looking at the pictures.
Want "one in every Kona color" for yourself? Well, scraps, that is...these are only about 1 by 5 inches, but I'm pretty sure all 243 colors are represented. Just leave a comment telling me your current favorite color. I'll choose a winner on Monday morning. Have a great weekend!
