Friday, May 29, 2015

Tale of Two Cities: The Temperature Quilt

Last year, my friend, Rachel, started making a "temperature" quilt. She chose a range of fabrics and assigned degrees of temperature for each color in five-degree increments (you can read more about it here). I was completely intrigued by the whole concept.

I had a stack of Grunge fabric and decided to make a few alterations from Rachel's quilt.
 I would record the high and low of each day. I soon began to realize that a quilt based on Fresno, California, would be, um....repetitious, to say the least. I needed to a city that would have more contrast in temperatures throughout the year, some actual "weather." Mark's brother lives in St. Paul, Minnesota. I knew I would be able to get a wider range of temperatures and it would also be interesting to compare and contrast.
It took awhile to assign the temperature ranges. Originally I thought I would go from warm colors, to cool colors, with white being the lowest temperature. 
I finally settled on white being "freezing" (31 to 35 degrees), with the cool colors getting darker as the temperatures dropped. The bottom picture shows the final color range with the top left square being 111+ degrees and the top right square being anything below -26. Yikes!
I kept a daily journal, which was actually really fun. I started cutting and sewing. Because I was recording both high and low temperature for each day of the month, I realized the months themselves needed to be separated, so I used a narrow strip of black between each month, and a grey rectangle for the months that had less than 31 days.
Once in awhile I would see that we broke a record, so I inserted a little black scrap--the one below is for breaking a record high held since 1902.
And then for three days in a row in July, we broke a record for having the highest lows--I usually have to think about that one for a couple seconds. Yep, those three nights just never cooled down. When I told someone I never used the fabric signifying 111+ degrees, they couldn't believe it never got above 110 because it sure felt like it. But of course I couldn't factor in the heat index for Fresno or the wind chill for St. Paul.

Sometimes I had a little helper who loved to move the squares around for me.
Sometimes I got distracted by other projects.
But at the end of the year it was fun to sew both tops together. Darby Myers used one of my favorite quilt designs.

Without further ado, here is what Fresno temperatures looked like in 2014.
And St. Paul for the same time period.
It's fascinating, interesting and fun to see the differences in the two sides. The vertical strip along the left on each side is the temperature gauge.

Yesterday Mark and I took the quilt to a local middle school and photographed it beneath the current temperature. Wouldn't you know? At 6:30 p.m., in May, in Fresno, it was still 91 degrees.

It's going to be a long, hot summer.
I'm linking up today with Crazy Mom Quilts, Confessions of a Fabric Addict, TGIFF and
 Fabric Frenzy Friday.

Monday, May 18, 2015

My Small World Quilt-Along

It's beginning!


If you have been on Instagram, you may have noticed the buzz about Jen Kingwell's pattern, "My Small World." A team of us--KerryJohnMegan, Danielle, Lisa and me--are hosting a quilt-along. So if you have been thinking about making this quilt, but are a little unsure about it, please join us!

If you haven't done a quilt-along before, think of it as a support group. A group of people from all over the world will be working on this quilt, putting their individual stamp of creativity on it, and there will be guidance, assistance, and lots of inspiration along the way. The quilt is not a large one (33" x 52"), and an Instagram friend, Jo Dymont from Life in Lists, is planning on enlarging the quilt, so there will be hints on how she plans on doing that.

This would not be considered a beginner-level pattern, as it involves small pieces and lots of templates, but hopefully it should be relatively straightforward. We will not give specific construction details or measurements from the pattern so you will have to purchase the Spring Special 2015 issue of Quiltmania (Kerry has posted information on where you can find your own copy here), but we will be giving information on techniques, such as English Paper Piecing, curved piecing, applique techniques and much more, along the way. 

This will give you an idea of fabric requirements for the pattern as it is published in the magazine.
But have fun--modify and add your own style with your fabric choices. I plan on seeing how many solids I can incorporate.
As I was gathering together fabric, I realized that now is the time to break into some of the precuts I have been collecting and hoarding!

Gardenvale by Jen Kingwell (of course!), Doe by Carolyn Friedlander, and Lighthearted by Ayumi Takahashi

Need a little nudge? I found these three mini charm packs. I'll choose three winners on Wednesday, May 20--just leave a comment and let me know if you have ever participated in a quilt-along. I'll make a little confession--I have participated in quilt-alongs before, but usually I get a late start and the quilt-along has been completed long before I even get started. So maybe that doesn't really qualify as a quilt-along!

To get started today, check out each of our links for introduction and information. Then approximately every three weeks, starting the week of May 25, one of us will be hosting tips and techniques, section by section.



And Jen Kingwell will be watching everyone's progress on Instagram, so don't forget to tag your photos with #mysmallworldqal. 

Saturday, May 16, 2015

Blogger's Quilt Festival, Spring 2015: Under the Big Top

If you are here via Blogger's Quilt Festival, welcome. This twice-a-year overload of quilting inspiration is wonderful, don't you think?

This is "Under the Big Top," named because a couple of the blocks reminded me of those big striped circus tents. You can read more about the construction here.
It was made with a line of Kona called Dimensions, which has a wonderful honeycomb/hexie texture.

By pure chance, I saw a fabulous yellow Studebaker pickup in a parking lot, the very same color as the yellow block in the lower left corner. I was completely smitten so I left my card in the window, hoping that the owner would contact me and let me take a few photos.

The pickup turned out to be owned by a wonderful man who is a retired local bakery owner.  He met me at the park this week--and had already driven around and located the perfect location. So please indulge me as this might seem more like a photo album of this luscious "citrus yellow" pickup!
 
 
 
 

Quilt stats:

Name: Under the Big Top
Category: Large Quilts
Pattern: Curve It Up Sampler by Sew Kind of Wonderful
Size: 55" x 72"
Fabric: Kona Dimensions fat quarter stack and Kona black cotton
Quilted by: Karlee Porter

Thanks for stopping by. Enjoy the rest of the show.

Blogger's Quilt Festival, Spring 2015: Animal Planet



If you are here via Blogger's Quilt Festival, welcome! I'm sharing Animal Planet today, so if you follow my blog you have already familiar with this quilt. You can read more about the details here, including lots of pictures.

This is probably one of my most favorite quilts ever, made for my 3-year-old grandson, Gabriel. A close-up of some of the blocks:
 
 

photo by Christa Wiens
Quilt Stats:
Name: Animal Planet
Category: Modern Quilts
Size: 62" x 62"
Fabric: Kona solids 
Pattern: Tutorial by Dani Miller (KSC Designs)
Quilted by: Darby Myers (Quilted Squid)


Thanks so much for stopping by. You can follow my progress on other quilts on Instagram, @liveacolorfullife. Enjoy the rest of the show!

Friday, May 8, 2015

From Start to Finish: The Bullseye Quilt

This post will be the first in a sporadic series called From Start to Finish. As I'm sure a lot of you do, I find quilt inspiration in many unlikely places--flooring, rugs, pillows, tile, upholstery. I'll take you through my design process, from initial inspiration to completed quilt. Welcome to the first edition.

If you are here from the Sew Timeless blog, thanks for stopping by.

If you have followed me for any length of time, it will come as no surprise that I have a special love of working with solids. So a few months back, when Hayden from Timeless Treasures contacted me about possibly doing a project with their Soho Solids line, I jumped at the chance. It seemed perfect for a design idea that had been floating around ever since I saw this picture in a magazine.
I started sketching the idea on graph paper, changing the design from a hexagon to an octagon.

Then this arrived in the mail. Beautiful colors and the fun black and white stripe.
You can see my design changes in this first practice block.
The first completed block, which is 12 1/2 inches unfinished.
If you have ever made a kaleidoscope block, then you will be familiar with the construction techniques. I used a Marti Michell ruler, which is great especially if you decide you want to make the block larger or smaller.

You can also use this pdf template (although I have never tried to embed a pdf so you may have to email me and I can send it to you--the template should measures 6 1/2 inches from top to bottom). This particular block first involves making strip sets, and from then on the construction remains the same.

For each block, I cut three 1 1/2" strips of A, B (always the black and white stripe, although I considered changing its placement in one of the blocks--so that might be a fun idea to try), C, and D, and three 2 1/2" strips from E. Cut one white square and one black square, 4 3/8". Trim in half diagonally.

Because I was working with fat quarters, it required making three strip sets for each block.

When the strips are cut, it is time to sew. There are different opinions on how to sew strip sets together, and how to keep them straight rather than curving. Because these were each relatively short strips, for each set I sewed A and B together, then C, D, and E together. Your strip set should be 6 1/2" wide. I then pressed the seams open, and then sewed those two sets together and pressed that seam open as well. With one block I tried pressing the seams to the side rather than open, hoping that the seams would nest together in a future step, but that ended up not working well for me. Maybe you will have better luck, so use the system that works for you.

Now you are ready to cut.

Using your template or ruler, cut the kaleidoscope triangles. You should be able to get three from each strip set.
Set the remaining pieces aside, not just the triangles, but each end piece as well. Cut kaleidoscope triangle wedges from the remaining two strip sets until you have eight for your block.

(Side note: I didn't photograph the Bullseye block steps from start to finish. Oops. So the next two photographs will be from a different kaleidoscope block tutorial, but the construction is just the same.)

1. Take two kaleidoscope wedges, place right sides together and sew from the wide edge to the point, to form four sets. After sewing the sets together, press the seam to one side; be consistent, so all the seams are pressed in the same direction, either clockwise or counter clockwise.

2. Take two of these units and sew them together, again from the wide edge to the point, again pressing the seam to one side. There are now two halves of the kaleidoscope.

3. Carefully line up the two halves, making sure that the seams match. If all the seams have been pressed in the same direction, the center seam should nest together nicely. For good measure, stick a pin in the center to hold it in place. Sew the two halves together.

4. When pressing the center seam, again press the seam in a clockwise or counter clockwise fashion, which will create a little pinwheel at the center. This will help the block remain flat where the bulk of all the seams come together.

5. Cut the white square and black square in half diagonally, and sew on opposite corners. Press. Trim to 12 1/2". Your completed blocks will look like this.
You could stop here or keep going with as many blocks as you like. For the Bullseye quilt, I made 12 blocks. I knew I also wanted to use the stripe for the binding, but all these blocks needed a little breathing room before adding that striped binding, so I added 1 1/2" strips of white and black as an outside border.
 Now comes the really fun part. At least I had a blast. Remember all those leftover triangles and edge pieces from the strip sets? Start sewing them together. Don't try to plan. Just start sewing.

First I sewed all the triangles together.Don't they look cool when you alternate them up and down?
Then I sewed on the right and left ends of the strip sets. Sometimes I had to cut a triangle in half to have a straight edge. I didn't give it much thought, but just had fun. It ended up looking like this.
Then I determined the size I needed for the back and sewed some of the shorter strips together. And then it looked like this.
By then I had completely fallen in love with the back, so much that I briefly considered making two separate quilts so the "back" could star on its own. In the end, it became a two-sided quilt.

 
 
I took it to our local archery range, thinking I could get a cool picture draped over a target. I was imagining one of those large round targets made from hay, with the bullseye in the middle. Um,no.
This was the best I could do. If only I had had some help to hold it open below the archery sign.

I hope you will give the Bullseye blocks a try. If you have any questions whatsoever, don't hesitate to contact me! I'm working on a new From Start to Finish and you can catch progress shots on Instagram-- @liveacolorfullife.

I'm linking up to Crazy Mom Quilts, Confessions of a Fabric Addict, and TGIFF.



Tuesday, May 5, 2015

Quiltmaker's 100 Blocks, Volume 11: Off the Rails


Today is my stop on the blog tour for Quiltmaker's 100 Blocks, Volume 11.

My block, #1099 in the magazine, is a variation on rail fence, named Off the Rails. I found my inspiration from a picture in one of Kaffe Fassett's beautiful books, Quilts in Morocco.

See that tile in the background? I modified the idea and this is the block I came up with.
The construction is super easy. Four rail fence blocks with triangles in the corners. Make four blocks and you get something that looks like this--a great mini quilt idea. Get a head start on the holidays--it would look great in red, green and white!
I also tried the same idea with yellow, black check and solid white. It changes the whole look, so it's a very versatile block.

As always, Quilty Pleasures is featuring great giveaways during the blog tour and listing all of the participants for each day so you will want to make sure to stop over there.

Quiltmaker Magazine has generously offered to give away one copy of this issue to one of you, so leave a comment and let me know if you ever work with solids, or prefer to stick with prints.

For all the  blog tour stops and more giveaways, hop on over to Quilty Pleasures blog.

I'll be picking a winner for the magazine on Saturday, May 9, so make sure I have contact information, and thanks so much for stopping by!
This giveaway is now closed. The winner is Vicki in MN, who said: I have worked with solids just a teeny bit so far. I love the look for sure!